DIMITRA CHARAMANDAS
Dimitra Charamandas works with painting, video, text, sculpture, and food. Her practice emphasizes the sensory and tactile, using various visual languages to convey the tension between fragility and force, care and abuse; beauty and brutality. Her work is driven by a curiosity about the body, mind, and psyche under socio-political and ecological influences. Her vast paintings, sculptures, and mixed-media works, the artist approaches landscapes as a series of bodies: A jagged coastline path that traces the extremities of anisland; a gentle slope that leads to a smoking crater; a body of water that divides continents and enables or inhibits the flow of real, human bodies. Through slow travel and the observation of minute, cyclical changes, Charamandas’s practice embodies an ecofeminist worldview that challenges a prevalent value system of speed and efficiency in the name of productivity.
Photo by Stefan Holenstein
At Clinique La Prairie
January 10, 2024 - ongoing
Clinique La Prairie, Montreux - Foyer | Lower Ground Floor
Curated by Janina Saile-Mattli and Nathalie Hecker
At Clinique La Prairie, Dimitra Charamandas exhibits a selection of large scale paintings and small paintings on wood panels from the series Little Inlets: A collection of potential openings: a small crack, an injury, the discharge of energy rupturing a protective shell. A sudden access, a beginning of relaxation, or a weak point. A place of seepage, boundary crossing, and incipient departure. A first fixed star on a new astrological map. The beginning of a journey into the interior of a matter.

Dimitra Charamandas
Small intestine, 2023
Acrylic on cotton | 180 x 130 cm
Deep neural forests and conductive connective tissues, delicate layers of skin and wrinkled outlets of intestinal walls. Vessels for millions upon millions of bacterial cultures. A world in which atoms combine to form molecules, diffusing through cellular membranes and milieus according to the laws of concentration, always striving for equilibrium. In which neurones generate electrical signals, speak the language of chemical messengers, make sparks cross the gap between synapses. In which biochemical messengers, hormones, act like tides to move us.
Text excerpt from the publication (Cracked Shells, 2023, Bored Wolves)

Dimitra Charamandas
Mitra bonds, 2023
Acrylic on cotton | 180 x 130 cm
Little inlets. A collection of potential openings; a small crack, an injury. The result of discharging energy; the rupture of a previously protective shell. A sudden access, a beginning of relaxation or potentially the formation of a weak point. A place of seepage, of incipient departure, of boundary crossing. An unexpected access. A thread end from the hem of an inexplicable fabric. A first fixed star on a new astrological map. A beginning of a journey into the interior of a matter.

Dimitra Charamandas
Once in a blue moon, 2023
Acrylic on cotton | 180 x 130 cm
How does the singular body behave in relation to the collective? How does it balance openness toward others against the risk of
violation?
Text excerpt from the publication (Cracked Shells,2023, Bored Wolves)

Dimitra Charamandas
Shoreline, 2022
Diptych | Acrylic on cotton | 130 x 360 cm
In the late hour the arsenic coloured lake turns kyparissi, the color of cypresses. The moon paints pale dots. And what remains is the tiredness in the cushion of the night.
Text excerpt from the publication (Cracked Shells, 2023, Bored Wolves)
Biography
Dimitra Charamandas was born in 1988 in Solothurn, Switzerland. The Swiss-Greek artist received an MA in Fine Arts at the Institute Art Gender Nature, Basel (2022) and a BA of Arts at Lucerne University of Applied Sciences and Arts in Switzerland. The artist lives and works in between Solothurn and Athens.
Selected exhibitions
Recent solo presentations include Frieze London with Gypsum Gallery (2024), Kunstraum Aarau (2024), Tides, Kunstmuseum Solothurn (2023), Little inlets, Helvetia Art Foyer Basel (2023), Body of Water, Body of Stone, Gypsum Gallery, Cairo (2022), Do not take me for granite, Ann Mazzotti Gallery, Basel (2022), Bassa Marea, Museo Castello San Materno, Ascona (2022). She has organized food gatherings in Frankfurt, Athens, Lucerne and Basel and is co-founder and part of the artist collectives, Espacio Pacha with Irene Trujillo and Quince Collective with Johanna Schaible. In 2021 she copublished Amphorea Me Kéfi (self-published), in 2023 Pale Shapes Of Livers And Kidneys (Kunstmuseum Solothurn). She recently exhibited her artworks at Keepers at Livie Gallery, Zurich (2024)
Awards and more
Dimitra Charamandas was nominated for the prestigious Swiss Artist Award 2024. Her work is held in institutional and private collections.
Installation views | Dimitra Charamandas | Clinique La Prairie | Montreux
Photos by David Aebi




